Saturday, 27 April 2013

ONE: Dayane Cortez



Dayane Cortez
A challenge I overcame: To graduate and know a little of the world, where not everything is to my taste
A dream for my future: A tranquil life with many friends.
A hope for the global community: More love, more peace, more compassionate people.


Dayane was my afternoon teacher for the first two weeks at Step 1 and what a brilliant lady! With Italian heritage herself, Dayane and I spoke a lot about Brazil’s hugely mixed ethnic roots.  The Portuguese influx that founded modern Brazil was particularly notable in the town San Antonio de Lisboa that Dayane took Brook, Urs and myself to for a variation on the classroom setting one afternoon.  There were also waves of German and Italian immigration at the end of the 19th century, and despite repression of the two languages during the years of the Brazilian dictatorship, there are still towns that are mainly German or mainly Italian today, and there has been a resurgence of language preservation in recent years.  It is also more common for Brazilians of dual heritage to hold the second passport, like Dayane’s Italian one, which has already allowed her to travel easily visa-wise in Europe.   Apparently Germany normally only allows second generation immigrants to claim their German descendency, but taking into account the dictatorship they apparently allow Brazilians an exception of up to 5th generation passport claims.

Dayane also told me about a fascinating language experience that she had in working alongside a Guaraní language professor to set entrance exam questions for entry to the Guaraní university.  Apparently the questions were culturally so heavily occidental because of being set in Portuguese that many of their concepts were not translatable into Guaraní.  Words such as ‘house’ and ‘space’ do not exist, for example, because for the Guaraní people all spaces are home, the whole world is home.  What a beautiful concept. 

In a couple of our lessons we looked at articles about a couple of interesting Brazilian artists including Sebastião Salgado, Vinícius de Morais and the São Paolo Recycling Institute:


The famous Brazilian photographer from Minas Gerias, who according to the article we studied in our lesson, started out his career studying economics and came to photography after borrowing his wife’s camera for a business trip to London.  After a later trip to Angola concentrating on the coffee culture Salgado moved completely to photography and in 1979 he became famous for being the only photographer to capture images of the attempted assassination of Ronald Reagan. 
From the 70’s onwards Salgado continued to travel and take photographs concentrating on the often-extreme living and working conditions of communities in South America and Africa in particular.  Some of his major projects are:
OutrasAmericas, 1986: Photos documenting the living conditions of country folk and Indians taken on his travels throughout Latin America from 1977 to ’84.
 El Fin Del Camino, Images taken during 15 months working alongside Doctors without Borders in the Saraha in Africa, documenting the devastation of the drought and the impact on local people.
 Trabalhadores,1986-1992: Images documenting the harsh living and working conditions of workers around the world.
Retratosde Crianças do Exodo: Images exploring the global phenomenon of mass displacement of masses of people.

la Pionera (photo from image search)

Famous Brazilian poet, whose ever-growing house grabbed my attention when we read about it during one of my classes.  ‘Casapueblo’, in Punta Ballena in Uruguay, was founded by Morais and his friend Carlos Paez Vileró  in 1958.  Starting out as a simple tin house “La Pionera”, ever year a new room or two are added, until now, 80 years on there are over 70 rooms, many named after the famous guests that have stayed there, including Rober de Niro, Brigette Bardot and Omar Sherif among others.

One day educator João da Cruz found a mysterious box of torn up US dollars on the doorstep of the institute, that he incorporated into the recycling project.  Dayane and I questioned why there would even be a box of torn up dollars, and wouldn’t those dollars have been more useful for the Institute if they hadn’t been torn.



Dayane, muito muito obrigado por todos as aulas tão interessante, e as afora da sala, foram todos muito legal e estimulante!
Que desfrute os seus projetos de fotografia, e todos viagens que vêm.
Um abraço
:-)

1 comment:

  1. Muito obrigada por me permitir participar. Que bom que pude contribuir em algo com sua passagem por aqui.

    ReplyDelete